Emoplux

Liz Lambert’s work is best described by an ongoing process of abstracting the inconspicuous details of reality hidden in everyday life, intuitively creating images suspended in the frantic flow of a chaotic world.. With an inquisitive eye and a playful approach, she focuses on people and their traces in space, whether in the form of light or shadow, subtle movement or their reflections.

Driven by an interest in the aftermath of the Bosnian War and the context of an accident that caused the death of her father (an employee of an intergovernmental organisation at the end of the war), Birgit Ludwig embarked on an open-ended road trip. Thirty years after the Dayton Peace Accords, she found herself drawn into landscapes of contested memories, lingering traumas and imaginaries of various kinds. The series Antidotes presents an emotional map built around significant encounters, including portraits, singular places and details that carry personal and collective stories..

In her artistic practice, Letizia Romanini combines various sculptural techniques with photography, constantly challenging both 2D and 3D space. By highlighting the fragility and evanescence of the subject and magnifying the intangible, she creates suspended moments governed by chance, a sort of freeze-frame. 

Olivier Schillen resists labelling  himself a photographer. He prefers to see his role as a viewer of a theatre play that unfolds in front of his eyes. The resulting photographs from the series (We are) All Tourists derive from unstaged scenes in public places, notably in popular tourist destinations and frequently visited spaces such as museums and galleries.

Luisa Maria Stagno boldly invites the viewer to enter and discover the obscure world of feral urban pigeons. Her documentary series titled Guilty? was shot over two years on the streets of Esch-sur-Alzette, Bonnevoie and Belval in Luxembourg. Captured from a very low angle and with a curious close-up, pigeons reveal their stunning beauty. minded view.

In her intimate series …it’s easier for me like that…, Giulia Thinnes reflects on her own life journey, which revolves around her gender identity, the process of transitioning and the impact it has on her immediate family. 

The intimacy of motherhood and the complexities of love and inheritance are at the heart of Julia Vogelweith‘s series Learning to Play. After years of documenting the lives of strangers, young mothers in shelters and children in orphanages – subjects distant to her in both space and shared experience – she turns her lens on her own daughter.